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Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune-Bill Dedman

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When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?   Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.   Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.   The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic.   Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.Advance praise for Empty Mansions  “Empty Mansions is a dazzlement and a wonder. Bill Dedman and Paul Newell unravel a great character, Huguette Clark, a shy soul akin to Boo Radley in To Kill a Mockingbird—if Boo’s father had been as rich as Rockefeller. This is an enchanting journey into the mysteries of the mind, a true-to-life exploration of strangeness and delight.”—Pat Conroy, author of The Death of Santini: The Story of a Father and His Son “Empty Mansions is at once an engrossing portrait of a forgotten American heiress and a fascinating meditation on the crosswinds of extreme wealth. Hugely entertaining and well researched, Empty Mansions is a fabulous read.”—Amanda Foreman, author of A World on FireFrom the Hardcover edition.

Book Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune Review :



What I loved most about Empty Mansions was the history. As interesting & puzzling as it may be to have an elderly lady happily living in a hospital by choice, the history of the family, trying to imagine owning paintings by artists from whom you almost exclusively, see reproductions, is a world unto itself.Then there was Huguette. What I found sad was the way the hospital hit her up for cash, yet made fun of her eccentricity. By all accounts, she was a kind person. She may have been eccentric, yet she did not abuse anyone who came in to contact with her, and by all accounts, she did provide for those she cared about.Empty Mansions does raise questions on ethics, whether it be the lawyer, accountant, the hospital... Even her own relatives who challenged her will. I was glad to see an investigation to determine whether elder abuse had occurred—under the circumstances, it makes complete sense. That said, I was angered by the greed of her family... If one can use that term at all.In the end, while we never receive concrete answers about how/why Ms. Clark was so isolated, it's almost beside the point. Perhaps most fascinating is this one woman outliving her family by an extraordinary number of years. At nearly 105 at the time of her death, she saw more of history than most people. While I'd have loved to see a diary or journal of some kind to possibly understand Huguette's mindset, as an artist myself, the mystery is also part of the beauty. Nothing is necessarily clean & wrapped in a bow. We can choose to interpret the words on the page in multiple ways. I can't help but imagine that although her privacy was violated following her death, in the end, her story is that of an artist, through & through. Much is still left to the imagination, a world we may create. Perhaps that is the true gift the authors deliver to the readers, as well as Huguette in the end.
This book is well researched and spans the lives of W. A. Clark, his second wife, Anna, and their surviving daughter Huguette. It is an inside look at the making and spending of an inconceivable fortune. It is also introduces the reader to the fairy-like, in many ways, Huguette who lived her life as she chose to live it.Yes, she was very generous to those she cared about, and to some charitable causes. However, she could have done so much, to better the world, with the millions she gave to her private nurse, doctors who were, IMO, taking advantage of Huguette's fears, and eccentricities.At the end of reading, I don't feel sad for Huguette. She isolated herself so that she didn't have to deal with anything that might make her feel uncomfortable or sad. She only wanted to think about things that were beautiful, things that made her happy to do. In that sense, she seemed selfish and immature.I think that Huguette Clark's life disproves the adage that, "Money can't buy happiness." I believe that she was absolutely content with the restricted world she created, no matter how stunted it was. I did not find myself admiring Huguette, despite her generosity to those with whom she was loyal.

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